Today (September 17th) is the feast day of the German Christian mystic Hildegard von Bingen (1098 -1197 ) who not only wrote music but was also a poetess, theologian, a Benedictine Abbess and all round polymath. The Sibyl of the Rhine as she was known, was consulted by princes, popes and emperors for her prophetic insight. Like Julian of Norwich, Hildegard experienced serious illness before receiving her visions.
It was the Swiss psychologist Carl Jung who remarked -
The creative mystic was ever a cross for the church, but it is to him that we owe what is best in humanity.
Jung might have added and her as far as Christian mystics are concerned for many notable women mystics are recorded throughout the history of Christianity. Recently, feminist interest in Hildegard has also grown, as has her place in 'New Age' philosophies for her holistic approach to life.
The above picture entitled Motherhood from the Spirit and the Water dates from 1165. It's an extremely intriguing quaternity of images conveying a certain numinous quality of Hildgard's mystical experiences and shares in my view, an affinity with the Layer Monument quaternity.
The other image worth pondering upon in Hildegard's art is her Universal Man, an illumination from her Liber Divinorum Operum (1165). To my mind its an image which strongly suggests that perhaps Hildegard had the opportunity to read of the so-called Vitruvian man of antiquity, the human proportional representation which Leonardo Da Vinci based his own famous image upon. Essentially a vision of the Anthropos, or Greater Man within, of which Christ remains the most potent living symbol of; Hildegard can be seen in the bottom left corner, receiving and writing her vision.
But with mystics one can never be too confident there was ever a previous vision to the original one presented. However, universal and cosmic, Hildegard von Bingen and her Christian faith has endured, nine centuries on, to speak deeply of the spiritual life. The mystic, as ever, has the last word on the soul.
There's been a renaissance in recordings of Hildegard's music in the past two decades, I particularly like Richard Souther's pop music interpretation Vision (1995) with Emily van Evera singing. Hildegard's music has been considerably modernized on this recording, complete with multi-tracking and synthesizers but nevertheless its a very inexpensive buy on Amazon and a great introduction and reinterpretation. I used some of its tracks as interludes when first acting as Sir Thomas Browne in the church of Saint John the Baptist, Maddermarket in December 1996.
A more traditional approach to Hildegard's music is A Feather on the Breath of God with Emma Kirkby and Gothic Voices (Hyperion 2000). But there's a bewildering range of recording available in the catalogue at present, a veritable mine-field of good and uninspired interpretations of Hildegard's music.
Here's the link to the Wikipedia entry on Hildegard von Bingen