Showing posts with label Library of Sir Thomas Browne. Show all posts
Showing posts with label Library of Sir Thomas Browne. Show all posts

Wednesday, November 12, 2025

'Above Atlas his Shoulders' -Thomas Browne's Worldview


The English doctor-philosopher and literary figure Thomas Browne (1605-1682) held a unique understanding and view of the world which is rewarding to explore through the perspective of geography.

Its in Religio Medici  or ‘The Religion of a Doctor’ (1643) that Thomas Browne describes himself as a  microcosm or little world, as well as informing his reader that he possessed a globe.

‘the world that I regard is myself. It is the microcosm of my own frame that I cast my eye upon. For the other I use it but like my globe and turn it round sometimes for my recreation. Men that look upon my outside, perusing only my condition and fortunes do err in my altitude. For I am above Atlas his shoulders’. [1]

By saying he is 'above Atlas' Browne implies that as a microcosm or little world he has transcended the burden of carrying the weight of the world on his shoulders.  

The large-scale sculpture known as the Farnese Atlas (header photo) dating from the second century of the Common Era depicts Atlas's fate. In the Greek myth of Atlas, the giant is condemned by the gods to hold a globe—sometimes celestial, sometimes terrestrial—on his shoulders for eternity. 

During Browne’s era globes were sold in pairs: one showing the earth, the other of the heavens. The mapping of the night sky was far more detailed and accurate than the rough depictions of remote and little-known regions of Earth. 


The ancient Greek Strabo (64 or 63 BC – c. 24 AD) was the author of a vast work on geography. Written during the early Roman Empire, Strabo's encyclopaedic work consists of political, economic, social, cultural, and geographic descriptions. Its  the only surviving ancient text to describe the entire inhabited world known to the Roman world.  In Strabo's map of the  world the British Isles can be seen. (above) [2] 

Also listed as once in Browne’s library is Gerard Mercator’s epic world map of 1569. (below) [3]  Mercator's projection laid out the globe as a flattened version of a cylinder. His map, with its Mercator projection, was designed to help sailors navigate around the globe using its longitude meridian lines to plot a straight route. It was Dutch map-making and cartography which was crucial for Dutch explorers. 


Following their independence from Spanish rule in 1588 the newly formed Dutch Republic grew prosperous and expanded with overseas territory, notably in the East Indies. The Northern European port of Amsterdam became one of Europe’s busiest trading centres and superseded Venice as an importing and exporting  port in the 17th century. Just as during the Middle Ages the sea port of Venice was a major European trading centre with its network of canals used to convey and store imported goods to merchant’s storehouses from the Near East, so too Amsterdam with its man-made network of canals became the predominant sea and trading port in the 17th century. 

The 16th/ 17th centuries were an era of great exploration and discovery, notably through adventurers such as Olivier van Noort the first Dutchman to circumnavigate the world -  Willem Schouten the first to sail the Cape Horn route to the Pacific Ocean , Cornelis de Houtman, who explored the East Indies -  Willem Janszoon  the first European to  see the coast of Australia in 1606 and Cornelis Nay, explorer of the Arctic - The most notable Dutch explorer of the 17th century was Abel Tasman  the first European to discover New Zealand and Fiji. The Dutch also made important contributions to horticulture, land reclamation, and art throughout the 17th century. 

  

Dutch engraver Pieter van den Keere’s 12 sheet map of 1611 (above) was wall mounted. Its border shows 14 cities and the rulers of seven nations. Stylized pairs of figures in the national costume of national cultures are also depicted on it. 

Its often said that the 16th/17th centuries were advanced through three driving inventions- Printing , the Mariner’s Compass and Gunpowder, each of which transformed the lives of many in this era. 

Thomas Browne’s life spanned not only the Dutch 'Golden Age' but also England’s most traumatic century. He was born just weeks before the Gunpowder Plot of 1605 and lived through the events of the English Civil war, the execution of King Charles, the Commonwealth of Cromwell, the subsequent Restoration of Monarchy, the Great plague of 1665 and the Fire of London in 1666. 

From his residence for an academic year in Montpellier in France, Padua in Italy and Leyden in Holland Browne acquired a privileged education and an appreciation of other cultures. His celebrated tolerance adhered to the maxim of ‘when in Rome do as the Romans’ as regards cuisine and food, as he frankly tells his reader -

‘I wonder not at the French for their dishes of frogs and toadstools, nor at the Jew for locusts and grasshoppers but being amongst them make them my common viands. And I find they agree with my stomach as well as theirs.’ [4]

Of greater importance Browne also recognised a major cause of hatred, one which remains so to the present day, that of nationalism. Nationalism, if zealous, encourages those who, purely from an accident of birth to consider their own nation to be the World’s best, and to dislike or even hate other Nationalities, often without having ever visited or even met anyone from the country which they hate. Browne’s continental education inoculated him against this prejudice, as he informs us-

‘I find not in me those common antipathies I discover in others. Those national repugnances do not touch me, nor do I behold with prejudice, the French, Italian, Spaniard or Dutch. But where I find their actions in balance with my countrymen, I honour love and embrace them to the same degree. All places, all airs are unto me one country, I am in England everywhere under any meridian’. [5]

Browne was able to give full expression to his interest in world geography, culture and customs in his subsequent work, the groundbreaking Pseudodoxia Epidemica which was first published in 1646. Its Latin title might loosely be translated as 'Pandemic of fake news'. Pseudodoxia is a pioneering work  and firmly in the vanguard of the early Scientific Revolution. Consisting in total  of over 200,000 words,  its sixth book addresses queries historical and geographical.  He points out that the terms East and West are dependent on where exactly one is located in the world and informs his reader on the botany and zoology of America. He also reveals an uncommon knowledge of cartography in discourse on the number of mouths of the Egyptian river Nile -   

'Ptolomy an Egyptian, and born at the Pelusian mouth of Nile, in his Geography maketh nine: and in the third Map of Africa, hath unto their mouths prefixed their several names; ..... wherein notwithstanding there are no less then three different names from those delivered by Pliny. ....Lastly, Whatever was or is their number, the contrivers of Cards and Maps afford us no assurance or constant description therein. For whereas Ptolomy hath set forth nine, Hondius in his Map of Africa, makes but eight, and in that of Europe ten. Ortelius in the Map of the Turkish Empire, setteth down eight, in that of Egypt eleven; and Maginus in his Map of that Country hath observed the same number. And if we enquire farther, we shall find the same diversity and discord in divers others'. [6]

Other prejudices which persist to this day are also tackled in Pseudodoxia - why do some people differ in the colour of their skin, why does the skin-pigmentation of American natives differ from African natives, as well as the thorny question- why does the religious prejudice of antisemitism persist ? He also recognised that what is considered to be beautiful in facial appearance and body decoration differs enormously between world cultures, stating-  

'Thus flat noses seem comely unto the Moore, an Aquiline or hawked one unto the Persian, a large and prominent nose unto the Romane; but none of all these are acceptable in our opinion. Thus some think it most ornamentall to wear their Bracelets on their Wrests, others say it is better to have them about their Ancles; some think it most comely to wear their Rings and Jewels in the Ear, others will have them about their Privities; a third will not think they are compleat except they hang them in their lips, cheeks or noses'.  [7]


One of the best gateways to understanding of a different culture is through learning its language. The Reverend Whitefoot, who was Browne’s lifelong friend, informs us that his friend was familiar with all the languages printed in Hutter’s polyglot New Testament of 1599. Hutter’s New Testament (above) includes the languages of Syrian, Hebrew, Greek, Latin, German, Bohemian, Italian, Spanish, French, English, Danish and Polish. These 12 languages are printed in side-by-side-columns of 3 languages per page. Hutter’s polyglot Bible encouraged Christians to read and study the Hebrew language. Browne’s own interest in Hebrew was instrumental in his study of the esoteric lore of the Kabbalah. [8] 

With his deep interest in languages Browne was well-equipped to introduce badly needed new words, often of a scientific nature into English language. Although its not quite a foreign language he also took an interest in the peculiarities of the Norfolk dialect and noted these words to be in common use in Norfolk such as Bunny,   Mawther, Kedge, Seele, Straft, Matchly, Dere, Nicked, Gadwhacking Stingy,  Sap, Cothish, Thokish, and Paxwax. Strong traces of the Dutch tongue can be heard in Norfolk dialect to the present day.


Perhaps the most accessible of Browne’s works is his shortest work, A Letter to a Friend which was written as a bereavement consolation following the premature death of the English poet Richard Lovelace (1617-57) (above). A Letter to a Friend features numerous medical case-histories and opens with the demographic calculation that in the whole world ‘there dieth one thousand an hour’. 

Browne was aware that geographic locations can affect people psychologically and he's credited as the first to identify the psychopathology of what is known today as Paris syndrome. 



Paris syndrome has been described as a severe form of culture shock and a sense of extreme disappointment experienced by only a handful per million when visiting Paris and is believed to be caused by factors such as language barrier, cultural differences, exhaustion and above all else, idealization. 

With his deep interest in unusual psychic phenomena and introduction of the words  'pathology' and 'hallucination' into the English language, Thomas Browne was well qualified to identify the phenomena of Paris syndrome. Within the following paragraph he names ten geographic locations, defines the ozone-rich air of East Anglia as 'Aerial Nitre', introduces the word 'migrant' into English and advises against 'infirm heads' that is, impressionable minds from visiting Venice or Paris. 

‘He was fruitlessly put in hope of advantage by change of Air, and imbibing the pure Aerial Nitre of these Parts; …..He is happily seated who lives in Places whose Air, Earth, and Water, promote not the Infirmities of his weaker Parts, …..He that is weak-legg'd must not be in Love with Rome, nor an infirm Head with Venice or Paris. Death hath not only particular Stars in Heaven, but malevolent Places on Earth,…..in which Concern, passager and migrant Birds have the great Advantages; who are naturally constituted for distant Habitations, whom no Seas nor Places limit, but in their appointed Seasons will visit us from Greenland and Mount Atlas, and as some think, even from the Antipodes. [9]

Browne’s speculation on the migration routes of birds is a reminder of his keen interest in feathered creatures. At one time of another he kept an owl, a cormorant, a kestrel and an eagle. He's also credited with introducing the word 'incubation' into English. It was in his lifetime that one of the first recorded extinctions of a species of bird occurred.


 

The first recorded mention of the flightless bird known as the dodo was in 1598 by Dutch sailors when they discovered Mauritius, a small island near Madagascar which was a useful stopping-off point for Dutch sailors en route to the East Indies. Because the Dodo is a flightless it was easily captured by hungry sailors. Browne’s contemporary the Royalist politician, Sir Hamon L’Estrange of Hunstanton in Norfolk wrote of a dodo he saw exhibited  in London in 1638. 

‘About 1638, as I walked London streets, I saw the picture of a strange fowl hung out upon a cloth canvas, and myself, with one or two more then in company, went in to see it. It was kept in a chamber, and was somewhat bigger than the largest turkey-cock, and so legged and footed, but stouter and thicker, and of a more erect shape, coloured before like the breast of a young cock-fesan, and on the back of a dunne or deare colour. The keeper called it a dodo; and in the end of a chimney in the chamber there lay a heap of large pebble-stones, whereof he gave it many in our sight, some as big as nutmegs; and the keeper told us she eats them (conducing to digestion); and though I  remember not how far the keeper was questioned therein, yet I am confident that afterwards she cast them all again.


The last recorded sighting of a dodo was in 1662. The bird was immortalized by Lewis Carroll in his ‘Alice in Wonderland.’ The character of the dodo is believed to be inspired by a specimen of a dodo exhibited in the Oxford University Museum which Carroll frequently visited.

Exploring world cultures can be enriched through collecting artifacts from near and far, whether it's treasures gathered during travels or acquired locally. In an era long before photography, those with means could hire artists to capture the essence of these treasured possessions, preserving memories of exotic journeys and far-off lands. 


Sir Robert Paston of Oxnead Hall, near Alysham commissioned an unknown Dutch artist to paint a selected fraction of his collection of art-objects, some of which were acquired when his father visited Jerusalem and Cairo. Dating from circa 1665 The Paston Treasure (above) has a Multi-layered narrative, its simultaneously, a record of the Robert Paston’s collection, a Vanitas painting and a microcosm of the world in the 17th century, as hinted by the prominent position of a globe. Browne would have seen this painting when visiting the Paston’s and given that in Religio Medici he confesses,  'I can look a whole day with delight upon a handsome picture, though it be but of an horse’ he would  without doubt delighted in viewing it. 

The world’s continents are represented in The Paston Treasure by - a packet of tobacco from America, a boy and parrot from Africa, and a porcelain dish from Asia. Sculptures and gems, gold, silver and enamel, as well as music instruments of a bass viol, sackbut, violin and lute can also be seen. The peaches, grapes and oranges, along with lobster, suggest a luxurious lifestyle. 

The Paston Treasure also expresses a moral warning -  life has sudden, unexpected disturbances - the servant is disrupted from his duties by a monkey which has jumped onto his shoulder, the young girl is interrupted from her singing by a parrot alighting on the music she’s reading.. In recent years The Paston Treasure has been restored, exhibited in America and studied in depth by the art-historian Spike Bucklow in his excellent, insightful book. Today, it can be seen in Norwich Castle Museum.


Its only in recent decades that topics such as alchemy and the esoteric in general have been taken seriously by academics. Spike Bucklow is the first in over three and a half centuries to identify that The Paston Treasure displays a mounted shell cup (above) with a very clear image of Atalanta in the act of running. Bucklow notes, 'It is as if Sir Robert had put this shell in the painting to draw attention to a book that guided his alchemical journey', the book in question being Michael Maier's alchemical work Atalanta Fugiens (1617). [10]

One unique feature of Browne’s prose is his usage of geographical places and historical persons as symbols. For example he describes the difficulties in his compiling an encyclopaedia, as, 'oft-times fain to wander in the America and untravelled parts of truth'. Geographical place name symbols along with historical persons symbols can be found in Browne’s  philosophical work, the two-in-one diptych discourses of 1658, Urn-Burial and The Garden of Cyrus. 





These two 17th century images, the Nigredo stage of the alchemical operation (left)  and 'The Garden of Mathematical Delights'( right) both from books once in Browne's library, are I believe, excellent visual representations of the thematic concerns and mood music of each respective discourse. (Click on picture to enlarge). 

The melancholic, Grave and Saturnine meditations upon human suffering in Urn-Burial are ‘answered’ by the Mercurial Garden delights of Cyrus. A multiplicity of opposition or polarities occur in Browne’s literary diptych, in  their respective themes, imagery, truth and literary style. Urn-Burial opens 'in the deep discovery of the subterranean world' and concerns itself with the oblivion of Time, in complete contrast The Garden of Cyrus concerns itself with Space and opens with ‘shooting rays and diffused light’ of the Creation before continuing in speculation on the geographical location of the Garden of Eden.  [11]

In Browne’s geographical symbolism America invariably symbolizes the new, the unknown and exotic.  In contrast the proper place name of Persia is used as a symbol of magic and esoteric wisdom. These two geographical symbols are juxtaposed in a startling way at the conclusion of The Garden of Cyrus - in doing Browne highlights how Humankind’s collective consciousness ebbs and flows between those who are waking up and conscious while others fall asleep and are unconscious.

‘The huntsmen are up in America and they are already past their first sleep in Persia'.

But perhaps the most famous example of Browne’s geographical symbolism occurs in Religio Medici,  where he inspirationally declares – ‘We carry within us, the wonders we seek without us.There is all Africa and her prodigies in us’. [12]  

The psychologist Carl Jung when hearing this quote while visiting Kenya, East Africa,  was impressed and immediately made note of it. Actually there’s a fascinating relationship between the famous Swiss psychologist Jung to Browne, both were doctors interested in  the interpretation of dreams, both read esoteric authors and both were interested in the geography of the mind, and mapping of the psyche’s contents. [13]

Together, Urn-Burial and The Garden of Cyrus are Browne’s great work of psychology. Historical personages are employed by him as symbols in order to illustrate archetypes, that is, the first, original forms of the psyche as envisioned by Plato and Hermetic philosophers. Browne’s proto-psychology  attempts in Cyrus to delineate the archetype of the wise ruler through historical name symbolism, mentioning Moses, Solomon, Abraham, Alexandria the Great and the titular Cyrus as exemplars of the wise ruler. Women aren’t overlooked in his proto-psychology, the archetype of the 'Great Mother' is sketched through inclusion of the nurturing Old Testament matriarch Sarah, the Roman goddess Juno and the Egyptian goddess Isis.   

                                                                       *  *  *

With the colonization of South America by the Spanish and Portuguese in the seventeenth century, as well as European migration to North America, along with the opening of trading routes to the East Indies and China, an abundance of published reports upon exotic flora and fauna became available to the physician. Tobacco and the potato were early exports from America  to Europe throughout the 17th century.

It was the Swiss alchemist-physician Paracelsus (above) who encouraged his fellow physicians to experiment with substances from the vegetable, mineral and animal kingdoms in order to discover new medicines and new cures. We can be confident that Doctor Browne of Norwich was a committed follower of Paracelsus (1493-1541), not only are the 'Luther of Medicine''s bulky writings listed as once in his vast library but the very word used by Paracelsus to describe his distinctive kind of medical alchemy, known as spa-gyric ( meaning to separate and conjoin) can be seen inscribed upon Browne's coffin-plate, one half of which survives on display at Saint Peter Mancroft. The distinguished Canadian physician Sir William Osler (1849-1919) who was a great admirer of Browne commissioned a replica of this brass Coffin-plate. It can be seen at the Norfolk and Norwich Sir Thomas Browne Medical Library. [14]

 


A great example of Browne’s following Paracelsian medicine occurs in his assessment of so-called Peruvian Bark, the source of the drug known  today as Quinine.



A Jesuit priest is credited as among the first to observe that the Inca people use a diffusion of the bark from the cinchona tree to ease the symptoms of malaria. Indeed the original Inca word for the cinchona tree bark, 'quina' or 'quina-quina'  which roughly translates as 'bark of bark' or 'holy bark'. In 1638, the wife of a Peruvian viceroy used the bark to relieve her fever-induced symptoms during the onset of malaria. Her remedy was called a 'miracle cure'. By 1658 an English newspaper advertised -  'The excellent powder known by the name of 'Jesuits' powder' may be obtained from several London chemists'. 

Although Peruvian Bark was hailed as a successful medicine for malaria due to religious prejudice it was not officially recognised in England until 1677. Because it was known as 'Jesuits' Powder' it was tainted with associated with Catholicism. Even among the educated such as King Charles the Second, who took an active interest in the new scientific enquiry advanced by the Royal Society, was suspicious of 'Jesuit's Powder' because of its presumed association with Catholicism. However when the King suffered from a malarial fever he consulted a Mr Robert Talbor who was obliged to give the King the bitter bark decoction in great secrecy. The treatment completely relieved King Charles from malarial fever and he rewarded Talbor handsomely with a lifetimes membership of the newly-formed Royal Society. 

Several 17th century English physicians were interested in reports of the healing qualities of Peruvian Bark, especially those who lived in regions prone to the spread of malaria; East Anglia with its marshes, broads, large tracts of low-laying land and slow-flowing, stagnant stretches of water was an ideal habitat for the spread of the insect-borne virus. 

In correspondence to his youngest son nicknamed ‘Honest Tom’  Browne requested of him - 

'When you are at Cales, see if you can get a box of the Jesuits' powder at easier rate, and bring it in the bark, not in powder'. [15]

Browne’s request to obtain Jesuits' powder from a Continental source and not from London suggests he knew that the thriving trade in Peruvian Bark was vulnerable to dilution by apothecaries. His insistence on bark and not powder also suggests he was familiar with Peruvian Bark's composition. His assessment of Peruvian bark in an undated letter is considered one of the most detailed in British medical history-

Another new substance introduced to Europe, in this case through trade with China, was the root known as Ginseng.

  



Because the shape of the fleshy Ginseng root resembles the torso and limbs of a human, all kinds of medical and healing properties have been attributed to it. Widely cultivated in China for centuries Ginseng is used in Chinese medicine as a muscle relaxant.  In correspondence to his eldest son Edward, Dr. Browne wrote-

Deare Sonne, - You did well to observe Ginseng. All exotick rarities, especially of the east, the East India trade having encreased, are brought in England, and the profitt made therof. Of this plant Kircherus writeth in his China illustrata. [16] 

Today ginseng is scientifically recognised for its anti-carcinogenic and antioxidant properties


Throughout the 1650s and 1660s England found itself embroiled in conflict with the newly-emerging economic power and global trade of the Dutch Republic. British resentment towards the newly emerging European power is perceptively articulated by the art-historian Simon Schama, who noted of Johan De Witt, the chief negotiator for the peace treaty of the Second Anglo-Dutch War -


‘British enmity, on the other hand, he knew to be chronic and rooted in the very nature of the Republic’s existence, or at least  its prosperity. The problem, he supposed in common with many of his compatriots, was that, in matters of trade, the British were poor losers. Unable to match the Dutch in resourcefulness, industry, or technical ingenuity, they were prepared to bludgeon their way to wealth by the assertion of deliberately bellicose principles and by interfering with the freedom of trade. Peevish envy had turned them into a gang of unscrupulous ruffians who would stop at nothing to burglarize the Dutch warehouse, pretending all the time that some cherished issue of sovereignty had been infringed. [17] 

One of Browne’s greatest personal tragedies was hearing from the British Admiralty that his son Midshipman Thomas, ‘Honest Tom’ had been lost in action and presumed dead aged 21. 

A solitary piece by Browne, written for the entertainment of young Midshipman Tom survives. 'The Sea-battle’ is a vivid narration of an ancient world Sea-battle. Written in Latin its conclusion is a valuable insight on a primary cause of war. 

'The cause of this war was that of all wars, excess of prosperity. As wealth arises spirits rise, and lust and greed of power appear; thence men lose theiir sense of moderation, look with distaste on the prosperity of others, revolve disquiet in their mind, and throw overall settlement, for fear lest their enemies’ wealth be firmly established, they put their own to risk; and finally (as happens in human affairs) fall into slavery when they seek to impose it, and earnestly courting good fortune, experience disaster.' [18]

In his old age Browne seems to have taken an even greater interest in traveller’s accounts of exotic locations and newly discovered lands. Its testimony to his eldest daughter Elizabeth’s education, patience and devotion that her father recorded the following in his Commonplace notebooks –

‘Books which my daughter Elizabeth hath read unto me at nights till she read them all out -All the Turkish historie - All the history of China - All the travels  of Olerarius and Mandelslo -All the travels of Taverniere - All the Travels of Petrus della valle - All the travels of Vincent Le Blanc -All Sandys his travels  - All the travels of Pinto - All the travels of Gage - -All the history of Naples -All the history of Venice - Some hundreds of sermons. Many other Books, Treatises, discourses of several kinds. [19]



But perhaps the traveller Dr. Browne took the greatest interest in was his eldest son, Edward Browne (1644-1708). In 1668 Edward made a tour of Holland and Germany visiting museums, libraries, and churches. When later based in Vienna he made three long journeys, one to the mines of Hungary, one to Thessaly, another into Styria and Carinthia. Wherever Edward Browne travelled he acted as the dutiful eyes and ears of his father, who instructed him with advice such as- 

'Take notice of the various Animals, of places, beasts, fowles, & fishes; what the Danube affordeth, what depth, if conveniency offers, of mines, minerall works, Beside naturall things you may enquire into politicall & the government & state & subsistence of citties, townes & countries… observe how the Dutch make defences agaynst sea inundations…' [20] 


Also included among the travel books in Browne’s vast library is Thomas Fuller’s guide to the sights and places of the holy land of Palestine.  Fuller's book A Pis-pah Sight was important in its day and includes a detailed account of the geography and history of Palestine. Incidentally, it was Thomas Fuller in his Worthies of England who described the Norwich of Browne's day to be, 'either a city in an orchard, or an orchard in a city, so equal are houses and trees blended in it'. [21]

Another noteworthy geography book  once in Browne’s library is Athanasius Kircher’s China Illustrata. Dating from 1665 China illustrata was printed in Amsterdam. A work of encyclopaedic breadth, it included accurate maps as well as mythical creatures. It drew heavily on reports by Jesuit missionaries who worked in China. Kircher’s book remained the most informative source on China for over two centuries. [22]


In the above illustration Chinese botany and horticulture, costume and customs, along with architecture, are all faithfully recorded from an eyewitness account of a social gathering, a feast upon giant jackfruit.

It may well have been while turning his globe round sometime for his recreation that Browne was inspi to pen his ‘Prophecy concerning the future State of Several Nations’ . It was written after the Pandemic of Bubonic plague and the Great Fire of London in 1666 in which an estimated one hundred thousand people perished, some twenty percent of London’s entire population perished. In all probability it was inspired after he was shown a copy of the French doctor Nostradamus’s prophecies, the first translation  English into English in 1672. 



In his doggerel verse and parody of Nostradamus’s barely intelligible prophecies Browne makes some astounding predictions, which are based upon nothing more than the solid combination of rational conjecture and a deep knowledge of geography and history. In one of its seven rhyming couplets Browne questions the morality of the growing Slave-trade, long before its eventual abolition –

'When Africa shall no longer sell out its Blacks/to be Slaves and drudges to the American Tracts'. 

At a time when it was only a fledgling colony, Browne predicted that one day America would become Europe’s economic equal -

'When the New World shall the old invade/ nor count them their Lords but their Fellows in Trade'.

Remarkably, he also 'predicted’ that America would one day become a Nation which pursued happiness and engage in economic protectionism. 

'When America shall cease to send out its treasure/but employ it instead in American Pleasure’.  [23]

Browne's miscellaneous tract known as Museum Clausum his solitary work of fiction, an inventory of lost, rumoured and imaginary books, pictures and objects, also includes geographical speculations.  In the 16th century, the voyage of Hanno saw increased scholarly interest in an age when European exploration and navigation were flourishing. Already then, the extent of Hanno's voyage was debated. Browne makes mention of the explorer Hanno in Museum Clausum thus -

'A learned Comment upon the Periplus of Hanno the Carthaginian, or his Navigation upon the Western Coast of Africa, with the several places he landed at; what Colonies he settled, what Ships were scattered from his Fleet near the Equinoctial Line, which were not afterward heard of, and which probably fell into the Trade Winds, and were carried over into the Coast of America'. [24]

In all probability its through his friendship with the Icelandic Lutheran minister Theodor Johannsson that Browne also includes in Museum Clausum  - 

'A Snow Piece, of Land and Trees covered with Snow and Ice, and Mountains of Ice floating in the Sea, with Bears, Seals, Foxes, and variety of rare Fowls upon them'. [25]



Browne’s view of the world's future  was one which was, ‘not like to envy those that shall live in the next, much less three or four hundred Years hence, when no Man can comfortably imagine what Face this World will carry: [26]

He was aware of several disastrous scenarios which threaten life on Earth and knew that an increase in global traffic has medical implications, stating in A Letter to  a Friend- ‘New Discoveries of the Earth discover new Diseases'. He knew of  the threat of asteroids from outer Space impacting Earth, and wrote of ‘a mighty stone falling from the clouds which antiquity could believe Anaxagoras was able to foretell half a year before’. [27] And also made the sombre cosmological observation that - 'The created world is but a small parenthesis in Eternity.’ [28]

Before revealing what is arguably one of Browne’s greatest linguistic contributions to our modern age, its worthwhile remembering that while today he’s often promoted for his scientific profile, Browne’s worldview in essence was a synthesis of a deeply held Christian faith, adherence to hermetic philosophy and scientific empirical enquiry. There’s far greater value in reading Browne today for his moral, psychological, and spiritual insights than his 'occular observation' of the natural world.  As a doctor, it’s the geography of the mind which interests him most. He would with little doubt whole-heartedly agreed with Carl Jung’s assertion that- ‘Science and technology have indeed conquered the world, but whether the psyche has gained anything is another matter'. [29]


The Garden of Cyrus (1658) has a frontispiece ‘borrowed’ from a book by one of Browne's favourite authors, the Italian polymath Giambattista Della Porta (1535-1615). Its Latin quotation reads, ‘What is more beautiful than the Quincunx, which, no matter how you view it, present straight lines’. 

The full running title of The Garden of Cyrus includes what is one of Browne’s greatest neologisms, one which is highly relevant to our modern age, that of ‘Network.’ He probably encountered the word ‘network’ from reading of the Bible where its used to describe the decorative and structural design of Solomon’s temple. What is certain is that Browne was the first to write about net-like or reticulated structures in subjects as diverse as art, architecture, metalwork, botany, marine life and anatomy, in order to illustrate his concept. It’s a word which underscores his hermetic belief in the interconnectivity of  all life-forms in the world.  In the 19th century usage of the word ‘network’ gathered steam  after the new railway routes of England were described as a network. Today in our increasingly inter-connected world the word ‘Network’, with its strong geographical associations, has expanded to include social, transport, communication and technological meanings. 

Here in Norwich today we can take pride in the fact that it was once the home of a polymath mind who observed and wrote of Networks, introducing it, among many others into English language. The word Network is exemplary, not only of Sir Thomas Browne’s contribution to scientific vocabulary but also his mystical ‘Above Atlas’  worldview.


Notes

This is a revised version of a talk centred upon Thomas Browne's view of the world through the perspective of geography  which was delivered on October 21st 2025 on behalf of the Norfolk Heritage Centre.

[1]  Religio Medici Part 1 Section 11 
(The academic C.A. Patrides also used the the phrase 'Above Atlas his shoulders' as the title for his excellent introduction to Browne's major works for  Penguin publications in 1977). 
[2] Strabo 17 books of Geography ed. Isaac Casaubon Paris 1620. 1711 Sales Catalogue page 7 no.55
[3] Sales Catalogue 5 no. 1, 2 
[4] Religio Medici Part 2 Section 1
[5] Ibid.
[6] Pseudodoxia Epidemica Book 6 On the River Nile
[7] Pseudodoxia Epidemica  Book  6 chapter 11
[9] A Letter to a Friend
[10] The Paston Treasure - Spike Bucklow
[11] Nigredo (left) from Theatrum Chemicum Sales Catalogue  Page 25 no. 124 and  (right) Bettini Fucaria & Auctaria ad Apiria Philosophiae Mathematicae  S.c. page 28. no. 16
[12] Religio Medici Part 1 : 15
[14] Paracelsus Opera S. C. page 22 no. 118
[15] Domestic Correspondence edited Keynes
[16] Ibid.
[17] Simon Schama  -The Embarrassment of Riches
[18] Miscellaneous Writings ed. Keynes
[19] Ibid.
[20] Edward Browne's travels are the subject of recent academic study by Anna Wyatt (See the excellent monograph 'wide excusions' by Anna Wyatt) which also stresses that Browne's daughters made no small contributions in assisting their father. 
[21]  Thomas Fuller's A Pisgah-sight, with maps  1650. 1711 Sales Catalogue p. 45  no. 73  
[22] China Illustrata  Amsterdam 1667 S. C . page 8 no. 93
[23]  Quotes from 'A Prophecy' Miscellaneous Tract 12
[24] Miscellaneous Tract 13
[25] Ibid
[26] A Letter to a Friend
[27] Museum Clausum
[28] Christian Morals Part 3 Section 29
[29] C.G. Jung - Collected Works vol. 10 'Civilization in Transition'.

 



Thursday, August 28, 2025

The phantastical Quincunx in Plato


'The shaping influence of Platonism on Sir Thomas Browne (1605-82) has long been recognized by those attracted to the intangible atmosphere of his mind.'[1] 


Allusion to the ancient Greek philosopher Plato (circa 427 BCE- 347 BCE) occurs throughout Browne’s writings. Plato’s proposal that the world is a living creature which possesses a soul (anima mundi), his allegories of the Cave of human illusion and the ‘wild horses’ of the passions, his political allegory of the lost civilization of Atlantis, along with ‘the fantastical Quincunx of Plato' can all be found in Browne’s literary works.


Above all else the discourse The Garden of Cyrus (1658) reveals the full depth of the learned doctor’s immersion in Platonic thought. In a kaleidoscopic procession of art-objects, botanical specimens, optical theories and mystical symbols, Browne showcases his very own home-grown Platonic Form of the Quincunx. With virtuoso skill he improvises upon it in geometrical, numerical and mystical variations in order to highlight a foundational hermetic belief: the interconnectedness of life across the Universe. Browne also supplies his reader throughout the  discourse with proper-name symbolism of historical philosopher-Kings and ‘wise rulers’ as advocated by Plato. A timely reminder today with the world-wide rise of authoritarian and demagogue politicians. 


It was the Oxford academic Thomas Lushington (1590-1661) who introduced Thomas Browne to Plato’s philosophy. He also recommended Norwich to his former pupil as an ideal city to establish a medical career. Browne followed his advice, and after qualifying as a physician in 1637 relocated to Norwich where he practiced medicine until his death in 1682. 


Lushington most likely took pride when his former pupil’s Religio Medici (1643) became a best-seller in England and gained recognition across Europe after translation. Plato is encountered several times in Browne’s spiritual testament and psychological self-portrait. For example, the so-called Great Platonic Year, a period of approximately 24,000 years, the length of time which the Greek philosopher believed was required for the celestial bodies to return to their original positions, is defined by Browne as-


'A revolution of certain thousand years when all things should return unto their former estate and he (Plato) be teaching again in his school as when he delivered this opinion'.[2]


Browne expresses his belief in the anima mundi or World-Soul in Religio Medici, a concept originating from Plato and later embraced by hermetic philosophers.


'Now besides these particular and divided Spirits, there may be (for ought I know) an universal and common Spirit to the whole world. It was the opinion of Plato, and it is yet of the Hermetical Philosophers; [3]


Alchemystical philosophers such as Browne related Plato’s concept of the anima mundi or World-Soul from their own spiritual intuition as much as from reading Plato. 


A central tenet of Browne’s spirituality is a belief in an angelic hierarchy, one which he held in common with many in the seventeenth century. It was a belief supported not only from Biblical Scripture, but from Plato also, as Browne informs-


‘Therefore for Spirits I am so far from denying their existence and from denying their existence, that I could easily believe, that not only whole Countries, but particular persons have their Tutelary, and Guardian Angels: It is not a new opinion of the Church of Rome, but an old one of Pythagoras and Plato’. [4] 


Religio Medici (The Religion of a doctor) concludes in decisive favour of Plato and dismissive of his pupil Aristotle,  Browne wittily declaring-


Aristotle whilst he labours to refute the Idea's of Plato, falls upon one himself: for his summum bonum, is a Chimæra, and there is no such thing as his Felicity’.[5]


In Plato's theological, moral and mystical philosophy allegory, symbolism and concepts such as Eternal Ideas or Forms are used to illustrate spiritual truths. As the ‘Father of Western mysticism’ he's the source of much esoteric thought. Plato’s philosophy was fundamentally supplemented with the revival and development of Platonic thought in the early centuries of the Common Era. Neoplatonism flourished through philosophers such as Plotinus (204/5 – 271 CE) Porphyry of Tyre (ca. 233-305 CE) and Iamblichus (245-325 CE) all of whom elaborated and expanded Platonic concepts, often with little connection to the ancient Greek’s original thought. Books by Neoplatonic authors are well-represented in Browne’s library. [6] 


The authoritative scholar Reid Barbour in his meticulously researched biography advances our understanding of Browne’s interest in Plato, explaining-


‘The appeal of Plato underscores Browne’s syncretic conviction that behind all transcendentally inclined philosophies – Hermetic, Zoroastrian, Pythagorean, Platonic, Neoplatonic, Chaldaic, Cabbalistic, and Christian – one finds the same supra-rational and even counter-rational truths, which neither dry logic nor blind partisanship can appreciate. [7]


Platonic and Neoplatonic thought influenced numerous artists, poets and thinkers throughout the Renaissance until the late seventeenth century, the low-ebb tide of its influence. The enduring appeal of Platonic thought is succinctly explained thus-


'In the Renaissance, no ancient revival had more impact on the history of philosophy than the recovery of Platonism.....No other renewal of an ancient school had a textual base large enough to support the growth  of a coherent, wide-reaching and independent philosophical system ..For at least three reasons, the new Platonism of Ficino and his successors must be seen as central to any discussion of European intellectual history during the Renaissance. First, the rich doctrinal content and formal elegance of Neoplatonic Platonism made it at least a plausible competitor of Peripateticism. What the Neoplatonists lacked in systematic logic and natural philosophy, they made up for with a stronger appeal to creativity .. They gave more latitude to all kinds of speculation, from aesthetics and mythology to cosmology and theology. After Ficino, anyone who disliked Aristotle could turn to Plato... The second strength of Platonism was its extra-philosophical influence. Despite his harsh words for poetry, Plato initiated a tradition that poets admired.... The same is true of his treatment of music...Finally, certain attitudes and methods of the new science were more Platonic than Aristotelian. The habit of idealizing physics, which was fundamental to the new science of the seventeenth century, came more easily to the Platonic mentality than to the Peripatetic. Even more important was Platonic praise of mathematics. For Aristotle, physics and mathematics did not really mix, while Plato gave good grounds for a mathematical analysis of nature. Platonism never vanquished Aristotelianism in the Renaissance, but it acquired great cultural strength'. [8]


In our own times it is Aristotelean reasoning and materialism which has triumphed over Platonic idealism, as the Swiss psychologist C.G. Jung succinctly noted, ‘Greek natural philosophy with its interest in matter, together with Aristotelean reasoning, has achieved a belated but overwhelming victory over Plato’. [9]

Thematically, Browne’s literary diptych Urn-Burial and The Garden of Cyrus (1658) concern themselves with themes of great importance to Plato, namely, the destiny of the eternal soul and number as a key to unlock cosmic mysteries. Browne’s diptych discourses closely reflect these two themes, Urn-Burial speculating upon the destiny of the soul and The Garden of Cyrus advocating number as a key to unlock the mysteries of the Cosmos.



Above-  Wall fresco of an ancient Greek drinking party symposium.


Urn-Burial

Browne’s sharp intellect and fertile imagination was sparked from the initial discovery of several Anglo-Saxon funerary urns ‘in a field near Old Walsingham’. In Urn-Burial he forensically surveys the burial rites, customs and beliefs of various world religions. It’s as a pioneering scholar of comparative religion that Browne alludes to Plato’s myth or tale of Er,  informing his reader that-


‘Plato’s historian of the other world, lies twelve days incorrupted, while his soul was viewing the large stations of the dead’.


Plato’s mythic story begins when a man named Er dies in battle. When the bodies of those who died in the battle are collected, some ten days after his death, Er remains undecomposed. Two days later he miraculously revives on his funeral-pyre and tells others of his soul’s journey in the afterlife, including his account of hearing the music of the celestial spheres. With its account of the cosmos and the afterlife Plato’s myth of Er influenced religious, philosophical, and scientific thought for centuries, not least for its teaching that after death moral people are rewarded and immoral people are punished.


Another ‘soul-journey’ cited in Urn-Burial is by the Roman philosopher Macrobius (395-423CE) whose commentary on ‘Scipio’s Dream’  was well-known throughout the Middle Ages. In Scipio’s ‘soul-journey’ the Roman military General Scipio narrates how he voyaged through the zodiac signs of Cancer and Capricorn, believed to be the exit and entrance to heaven and hears the celestial harmony of the spheres. Browne alludes to Macrobius' Commentary, recognises the importance of music in the grieving process as well as ‘the harmonical nature of the soul’ in  relationship to ‘the primitive harmony of heaven’, poetically stating- 


'They made use of Musick to excite or quiet the affections of their friends, according to different harmonies. But the secret and symbolical hint was the harmonical nature of the soul; which delivered from the body, went again to enjoy the primitive harmony of heaven, from whence it first descended; which according to its progress traced by antiquity, came down by Cancer, and ascended by Capricornus'.


A vivid allusion to the ancient Greek philosopher’s allegory of the Cave of human unknowingness can also be found in Urn-Burial. Plato’s famous allegory describes people who have spent their entire lives chained by their neck and ankles in front of an inner wall in order to view the wall of a cave. They can only observe the shadows projected onto the outer wall of this cave by objects which are carried behind the inner wall by people who are invisible to the chained prisoners. Walking along the outer wall with a fire behind them, they create shadows on the inner wall in front of the prisoners who can only ever see the world indirectly, their reality is only ever one of fire-lit shadows projected onto a wall.


In Plato’s powerful allegory the senses are proven to be highly unreliable narrators, the soul remains dormant and empirical reality has a transcendent background to it. Browne shared with Plato this view of the human condition. Using highly original medical imagery he declares-


'A Dialogue between two Infants in the womb concerning the state of this world, might handsomely illustrate our ignorance of the next, whereof methinks we yet discourse in Platoes denne, and are but Embryon Philosophers'.


Plato’s allegory of the Cave, idiosyncratically translated as ‘denne’ by Browne retains relevance today in our screen dominated lives, as one author states- 


'We can easily imagine Plato believing that we have returned to the world of the Cave, the situation in which our sensibility, values, tastes and desires are decisively shaped by what we absorb from the images presented to us…..Do the media that pervade our culture really contribute to human well-being and happiness, both of which, for Plato, depend on freedom from the control and manipulation that the use of the media can inflict on us ?.... The image of the Cave represented an imprisonment or enslavement by ignorance, illusion, ephemeral interests and harmful desires.... surely Plato’s verdict on our screen-dominated culture would have been severely critical'. [10]


The apotheosis of Browne’s speculations upon the body’s dissolution and the soul’s release includes an inventory of spiritual states of consciousness -


'And if any have been so happy as truly to understand Christian annihilation, extasis, exolution, liquefaction, transformation, the kisse of the Spouse, gustation of God, and ingression into the divine shadow, they have already had an handsome anticipation of heaven; the glory of the world is surely over, and the earth in ashes unto them………..  ‘Tis all one to lye in St. Innocent’s Churchyard as the sands of Egypt’.



Above : SCIOLTA (Freed) Symbolic image of the soul released from the cage of the body.  Detail of dove flying from a cage. Suckling Monument (circa 1616) St. Andrew's church Norwich.


The eminent American psychologist James Hillman (1926-2011) stated in words resonate with the prominent moralist found in Urn-Burial -


'religion begins, as we have said, as a reflection upon death. Psychology does too, for it is in the face of death that we ponder and go deep and sense soul, and then build our fantasies for housing it, whether these be the ancient pyramids and sepulchres of religion or the rituals and systems of modern psychology'. [11]


Browne's solitary hint of his Discourses relationship occurs in his Dedicatory Epistle in The Garden of Cyrus where he states-


'That we conjoyn these parts of different Subjects, or that this should succeed the other; Your judgement will admit without impute of incongruity; Since the delightful World comes after death, and Paradise succeeds the Grave.'


Browne’s solitary hint is tantalizing. Together, his discourses have a complex, plexiform relationship to each other. The primary imagery they share is optical. Imagery involving Darkness and Light is replete throughout each Discourse. James Hillman notes - 'The linking of light and darkness sets the stage for a fundamental and recurring theme in both alchemy and Jungian psychology, namely, the coniunctio oppositorum, the unity of opposites, a bringing together of light and darkness into an illuminated vision'. [12]


James Hillman also notes that Light and Darkness are inextricably related to each other as symbolic of Consciousness and unconsciousness. The repeated imagery of Light and Darkness throughout the diptych suggests they function as a product of Browne’s proto-psychology, as such they may be viewed as an early portrait of the psyche in its totality of unconsciousness and consciousness. 


Ingeniously constructed with a myriad of polarities (Browne is credited with introducing the very word ‘polarity’ into English language) the literary diptych includes several uniting symbols. For example, in Urn-Burial the Pyramid is condemned as a vain-glorious monument, while in Cyrus the Pyramid is contemplated a geometric form. The two-faced Roman god Janus is also encountered in each Discourse, as are hand gestures signalling subtraction and multiplication. Above all however it’s the philosophical thought of Plato which decisively unites the Discourses.


The Garden of Cyrus

Like the letters in the proverbial stick of rock The Garden of Cyrus has the five letters of the word PLATO embedded at its core. Each of its five chapters names the ancient Greek philosopher. Its opening page references Plato no less than three times, firstly alluding to the Demiurge figure of Plato's Timaeus via the mythological figure of Vulcan, secondly acknowledging Plato’s theological import, describing him  as ‘the divine philosopher’ and thirdly in his footnote, 'Plato in Timaeo'. Browne was not alone in his interest in Plato's discourse. Ever since 1484 when Marsilio Ficino made a full Latin translation of Plato's  discourse available the Timaeus wielded a near Bible-like authority upon poet, scholar, artist and Hermetic philosopher alike throughout the Renaissance. 


The Garden of Cyrus opens with an account of the Creation, evoking the demiurge figure of Vulcan as the Master Workman. ‘Philosophers of Fire’ such as Browne took their cue from the radical Swiss alchemist-physician Paracelsus (1493-1541) who named the Roman blacksmith of the gods as representative of their alchemical art. To Paracelsian physicians such as Browne Vulcan was synonymous with the demiurge figure who created the Universe as described by Plato in his Timaeus.


Plato's Timaeus is his most Pythagorean, influential and mystical discourse. In it he describes how the Demiurge is a divine craftsman who shapes the chaotic material world into an ordered cosmos by imitating eternal, unchanging Platonic Forms. Acting as a father and artificer, the Demiurge imposes mathematical order on pre-existing chaos, creating a universe that is a living god with its own soul, and creates lesser gods responsible for humanity. Plato’s discourse is assessed thus -


'The most important account of the Creation in the classical world was that given in Plato’s Timaeus (a substantial part of which survived into the Christian Middle Ages) and here we find that it is the Demiurge himself (and not the lesser gods) who puts the divine ‘guiding principle’ into humankind'. [13]


Just as Plato in his Timaeus engages in mystical mathematics in which number is a key to unlock the mysteries of the Cosmos, so too Browne indulges in mystical mathematics throughout The Garden of Cyrus. In what is his most Pythagorean and Platonic influenced work, Browne explores eternal patterns, symbolism, mystical numerology and geometry, showcasing the Quincunx pattern in art and nature as reflecting the eternal forms and archetypes discussed in Plato's Timaeus.


Plato's eternal Forms are perfect, timeless, and unchanging abstract archetypes of concepts, objects, and qualities that exist in a separate "Realm of Forms" beyond our physical world. The material world, known only through the senses, is merely an imperfect, shadowy imitation of these perfect Forms. True knowledge, for Plato, is the intellectual grasp of these eternal Forms, rather than flawed perceptions of the physical world. Browne’s demonstration of the Platonic form of the Quincunx in Art, Nature and mystically is modelled upon Plato's notion of Eternal Forms which pre-existed the Creation. The master workman or demiurge figure who consults the blueprints for the Creation, introduces the Eternal or Archetypal Forms to the World.

Number


The Garden of Cyrus sees Browne give full expression to his 'mystical mathematicks' and numerological inclinations. He first expressed his interest in numerological symbolism in Religio Medici frankly declaring -


'I have often admired the mystical way of Pythagoras and the secret magicke of number'. [14]


In his encyclopaedic endeavour Pseudodoxia Epidemica (1646) there's a chapter titled Of the great Climatericall year, that is, Sixty three in which he speculates upon whether the number 63 is fatal in human affairs, noting it was reputedly the age which Plato died. He also informs his reader in this chapter that -‘ The Philosophy of Plato, and most of the Platonists abounds in numerall considerations’. [15]


No writings by Pythagoras survive, however Plato, in what is his most Pythagorean influenced work, the Timaeus, integrated and developed the numerological symbolism central to Pythagorean philosophy, and in some ways its equally accurate to describe Browne’s Discourse as Neo-Pythagorean as much as Platonic in concept.




The ancient Greek philosopher Pythagoras (c. 570 – 490 BCE) who taught, ‘All is Number’ based his teachings upon numerological symbolism. Worshipped as a god for almost 1000 years, Pythagoras expressed his mystery religion through symbols such as the celestial 'harmony of the spheres', geometry and a pyramid of dots structured upon the sum of 1 + 2 + 3 + 4 = 10 known as the tetractys. Browne’s Quincunx can be detected at the very heart of the Pythagorean tetractys.



Received wisdom, often from those unacquainted with Browne’s Garden discourse, will declare that The Garden of Cyrus is ‘all about’ the number five, but in fact the number five is only one of several inter-related symbols used by Browne. The acute angle of V as the Roman numeral for 5, along with its doubling as the letter and symbol X, which in turn is a variant upon the Quincunx pattern, all feature in the Discourse. 


In what is one of the most perceptive explanations on the function of Browne's home-grown Eternal Form of the Quincunx. John Irwin states-


'The quincunx represents God's infallible intelligence while it also embodies the main 'tools' man uses to decipher the universe: mathematics, geometry and language. The implication is that if the God-given design of man's original plantation was a quincuncial network, then this design must express the basic relationship between man and the world, known and unknown, which is to say that this formal pattern imposed on physical nature schematizes the interface of mind and world in that it contains within itself the various modes of intelligible representation of the world, i.e. mathematics, language, geometry joined together in the homogeneousness of their physical inscription as numbers, letters and geometric shapes'. [16]


Incidentally, in addition to his botanical studies, naming and describing over 100 plants in the discourse, the learned doctor also displays his zoological inclinations throughout the Garden of Cyrus mentioning insects, reptiles, crustaceans, birds, water-fowl, fish and mammals in order to illustrate the interconnection of life.


Plato’s mythic excursion to Egypt in quest of wisdom is also touched on in The Garden of Cyrus-


‘whereas it is not improbable, he (Plato) learned these and other mystical expressions in his Learned Observations of Egypt, where he might obviously behold the Mercurial characters, the handed crosses, and other mysteries not thoroughly understood in the sacred Letter X, which being derivative from the Stork, one of the ten sacred animals, might be originally Egyptian…’


Hermetic philosophers such as Browne saw great significance in the fact that the letter X, which they believed to have been invented by Hermes Trismegistus, prophetically became the first letter of the name of Christ in the Greek alphabet. To hermetic sensibilities Plato, among others, the letter X seemed to anticipate and  prophesize that Christ would one day come into the world in order to redeem humanity. The symbolism of the letter X to represent Christ survives to the present day in the short-hand of Xmas for Christmas. The soul itself is declared to be X shaped as Browne, in a near verbatim repetition from Plato’s Timaeus informs-


'Of this Figure Plato made choice to illustrate the motion of the soul, both of the world and man; while he delivereth that God divided the whole conjunction length-wise, according to the figure of a Greek X, and then turning it about reflected it into a circle'.


The Garden of Cyrus was written in great haste, as scrutiny of manuscript evidence by J.S. Finch proved. Browne’s haste is exemplified in shoe-horning into his essay the after-thought - 


To omit the phantastical Quincunx in Plato of the first Hermaphrodite or double man, united at the Loynes, which Jupiter after divided’.


In Plato’s Symposium, Eros is an erotic lover who is capable of inspiring bravery and courage along with great deeds as well as vanquishing man's fear of death. Sexuality in the form of Androgyny and homosexuality also feature in the discourse in a myth which narrates how humanity was originally three sexes: male-male people that descended from the sun, female-female people who descended from Earth, and male-female people who came from the Moon. The androgynous humans were spherical and had four legs, four hands and two heads. These androgynous humans dared to challenge the gods of Olympus, who, angered at their divided the primordial humans in two and scattered them across the Earth. The divided searched for their other halves. The women who sought another woman and the men who sought another men were homosexuals.




Above - Ancient Greek vase depicting Plato's hermaphrodite double man.

Archetype


C.G. Jung notes – ‘The term “archetype” occurs as early as Philo Judaeus (circa 20 BCE - 50 CE) and in the Corpus Hermeticum, where God is called an archetypal light'. The term also occurs several times in the writings of the early Christian Neoplatonist author Dionysus the Aeropagite, all of whom are represented in Browne’s library. [17]


Although the Elizabethan natural philosopher Francis Bacon (1561-1626) is credited as the first to use the word ‘archetype’ in early modern English, its Browne in his The Garden of Cyrus who endeavours through highly original proper-name symbolism to depict archetypal exemplars of Plato’s ‘philosopher-King’. Historical figures such as Abraham, Solomon and Moses, Alexander the Great, Augustus and Marcus Aurelius as well as the titular King Cyrus effectively underscore the Platonic ideal that just governance requires ‘wise rulers’. Women aren't overlooked in Browne’s comparative religion symbolism. The ‘Great Mother’ figures of Sarah, Isis, Cleopatra and Juno are also encountered in the Discourse. 


For Plato, as for Browne, the figure of the philosopher-King represents a universal pattern or blueprint of human potential, in which wisdom and justice are perfectly balanced. Browne's discourses were published during the Interregnum era of Cromwell's Puritan Rule. His repeated citing of the philosopher-King archetype can be seen as subtle criticism of Crowell’s Protectorate. The Garden of Cyrus retains relevance today, not only for its hermetic message of the interconnectivity of life, but also as a timely reminder of wise governance with the world-wide rise of authoritarian and demagogue political leaders today.


Late in his life Browne acquired a copy of the Athanasius Kircher’s (1602-1680) Mundus Subterraneous (1664) in which the Jesuit priest and scholar printed a map of  where he speculated the location of Atlantis. [18]. It was Plato who fabricated the existence of the lost civilization Atlantis in his political allegory the Timaeus. Browne notes in his Christian Morals (pub. post. 1716) of Plato’s account of the lost civilization that-


'Others more Ingeniously doubt whether there hath not been a vast tract of Land in the Atalantick  Ocean, which Earthquakes and violent causes have long ago devoured'. [19] 


In Kircher's 1665 map (below) North and South are reversed with Africa to the East and America to the West of the vast, fictitious continent of Atlantis.



Plato’s political allegory of Atlantis projected a philosophical ideal of  ancient Athens. To teach his point, his fictional Atlantean Empire waged war against the known world, resulting in his idealized Athens leading resistance against it, and eventually winning. Atlantis is thus revealed to be an enemy for a Platonic version of Athens to defeat. Plato's usage of political allegory, narrating the decline and fall of the great imaginary civilization of Atlantis, reminds one that - ‘For all his impatience with myth Plato allowed it an important role in the exploration of ideas that lie beyond  the scope of philosophical language’. [20]


Above all else, it was Plato’s moral teachings which appealed to Browne in his pious old age. He shared with the early Church Father St. Augustine (354 - 430 CE) the conviction that Plato was the greatest of all pagan thinkers, primarily for his exhortation of living the morally good and just life.  In Christian Morals Browne alludes to Plato's ‘wild horses’ of the irrational passions, as described in Plato's discourse Phaedrus.


In Phaedrus each individual is likened to the driver of a two-horse chariot, whose reason tries to control the force of two horses, one white named spirit which is cooperative and one black named desire which tries to rebel and drag the chariot in the wrong direction. Although spirit and desire are depicted as battling forces, they communicate in language as talking horses to each other.  Plato’s equestrian allegory is mentioned in Christian Morals in what is one of Browne's profoundest psychological observations on the human condition -


'To well manage our Affections, and wild Horses of Plato, are the highest Circenses; and the noblest Digladiation is in the Theater of our selves'. [21]


In conclusion, Plato’s influence upon Thomas Browne is multi-faceted. Integral to his hermetic philosophy, the learned doctor found inspiration in Plato’s mystical numerology, Eternal Forms and archetypes. As a moralist he valued the ancient Greek philosopher’s exhortations on how to live the good and just life. The abundance of allusion to Plato throughout Browne’s literary oeuvre confirms the observation that – ‘There is probably no English writer of the seventeenth century who more habitually avows and exhibits attachment to the Platonic tradition than Browne'. [22]

Notes 

[1] The Strategy for Truth by Leonard Nathanson pub. Chicago University Press 1967
[2] Religio Medici Part 1: 6
[3]  R.M. 1:32
[4] R.M. 1:33
[5]  R.M. 2:15
[6] Iamblicus  de Mysterriis Aegyptirorum , Chaldaorum Catalogue 16A no.25
Porpyrius Commentary on Epicteus Sales Catalogue p. 15 no. 61
[7]  Sir Thomas Browne -A Life by Reid Barbour pub. OUP 2013
[8]  Renaissance Philosophy - Brian P. Copenhaver & Charles B. Schmitt
[9]  Carl Jung Collected Works Vol. 9 i:149
[10] Plato : All that Matters  Ieuan Williams pub.  Hodder and Stoughton 2013
[11] James Hillman
[12]The Soul's Code - James Hillman pub. Bantam 1997 
[13] Meister Eckhart -Mystical theologian Oliver Davies pub. SPCK 1991 
[14] Religio Medici Part 1:12
[15]  Pseudodoxia Epidemica Book 4 chapter 12
[16] The Mystery to a Solution by John T. Irwin pub. John Hopkins University Press 1993
[17] Philo Judaeus Opera  1711 Sales Catalogue p. 1 no. 12
Dionysus the Areopagite Sales Catalogue  p. 1 no. 16
[18]  Mundus Subterraneus pub. Amsterdam 1665 1711 Sales Catalogue page 8 
[19] Christian Morals Part 1:17 citing Timaeus 24e
[20] A Short History of myth Karen Armstrong pub. Cannongate 2005
[21] Christian Morals  Part 1:24 
[22]
The Strategy for Truth Leonard Nathanson pub. Chicago University Press 1967

Bibliography

*Sir Thomas Browne -A Life by Reid Barbour pub. OUP 2013

* The Strategy for Truth Leonard Nathanson pub. Chicago University Press 1967

 * Sir Thomas Browne - The Major Works ed. with an introduction by C.A. Patrides pub. Penguin 1977

* Pythagoras and the Pythagoreans - A brief History  by Charles H. Khan  pub. Hackett 2001

*Plato - A Very Short Introduction Julia Annas pub. OUP 2003

* Plato -Timaeus translated with an introduction by H.D.P. Lee pub. Penguin 1965

*The Soul's Code - James Hillman pub. Bantam 1997

*Renaissance Philosophy - Brian P. Copenhaver & Charles B. Schmitt 

*The Archetypes and the Collective Unconscious - C.G. Jung C.W. vol 9 Part 1 pub. RKP 1959

*Plato : Ideas that Matters  Ieuan Williams pub. Hodder and Stoughton 2013 

*Atlantis- Lost Lands, Ancient Wisdom Geoffrey Ashe  pub. 1992

*Meister Eckhart -Mystical theologian Oliver Davies pub. SPCK 1991

*The Mystery to a Solution by John T. Irwin pub. John Hopkins University Press 1993 

*A Short History of myth Karen Armstrong pub. Cannongate 2005 


See Also





Books in Browne's Library cited

* Chalcides Timaeus de Plato Trans. Notes J. Meurius 1617  Sales Catalogue p.11 no. 106

* Kircher - Mundus Subterraneus, cum. fig. 2 vol. Amsterdam 1665 S. C. p. 8 no. 92

* Philo Judaeus -De Opfico Mundi  1711 Sales Catalogue p. 1 no. 12

* Dionysus the Areopagite Opera Sales Catalogue  p. 1 no. 16

* Iamblicus - de Mysterriis Aegyptirorum , Chaldaorum Catalogue 16A no.25

* Porphyry - Commentary on Epictetus Sales Catalogue p. 15 no. 61


Browne on Aristotle

Not so long ago Jean de Launoy, a theologian of Paris, published a book on the changing popularity of Aristotle; whence he establishes that that most famous philosopher has been sometimes publicy burned, sometimes restored, now condemned by solemn decrees, then restored again, and in fact undergone eight changes in the same university.

Certainly the early Christians, Justin, Clement, Tertullian, Augustine and many others held opinions contrary to the great man's writings. And today he is bitterly cut to the quick by the moderns and almost at the point of death; so that it seems to me that the peripatetic philosophy is now brought to a standstill and can hardly be rescued, or not even hardly.

But while much is lacking in Aristotle, much wrong, much self-contradictory, yet not a little is valuable. Do not then bid farewell to his entire work; but while you hardly touch the Physics and read the Metaphysics superficially, make much of all the rest and study them unwearingly.

Petrus of Abano and Alexander of Aphrodisias have annotated the Problems of Aristotle industriously; better still Petrus Septalius, a physician of great fame.But while, in a less liberal spirit and not tainted with the new philosophy, he expounds almost everything to the philosopher's mind, often and often he hardly gets to the point and does not satisfy a spirit eager for truth.

So it will be worth the effort to weigh them again, so that the truth and reason of the questions may be better determined and where the old rules fail we may pass to new propositions....

British Museum Sloane Mss 1827