General Election called

With the announcement of the date of the General election for May 6th, I recall the one-time Dada artist George Grosz's commentary on the politics of Germany during and after the 'Great 'War'. Okay so things aren't quite so bad in Britain as the returning defeated nation of Germany was with hyper-inflation, social unrest, strikes and failed revolution. But Britain has nothing to be complacent about either. Grosz's satirical picture bluntly states his view of the abilities and crimes of the self-elected and self-serving politicians of the new Weimar Republic. The Banker, the Military General and several headless and therefore brainless, Bureaucrats govern and carve up power for themselves. The blinkered ass standing on a table and eating money in a manager could be a metaphorical message from a medieval morality lesson. Nor forgetting the icon-like presence of the dollar symbol hovering in the background.

Grosz realized that, when push comes to shove, most art serves the bourgeois or increasingly, these days, those that aspire to its values; In Grosz's view most art, especially if with a capital A, unless taking an unambiguous stand-point, maintains the status quo and therefore complicitly accepts social inequality and injustice. Much art today, continues to serve the purposes of, and upholds the values of consumerism and capitalism.

The Marriage of Figaro

Last night I watched 'The Marriage of Figaro' on DVD. More lingua Italia, thank heavens for sub-titles! The whole art of Opera has been made much more accessible and comprehendable through DVD sub-titles. Nowadays super-text is also projected overhead at theatrical productions. At 140 minutes another marathon viewing session.

Mozart's opera Le Nozze di Figaro (K 492 ) concerns itself with sexuality in relation to social standing. There's some strong social comment going on here, as well as some heavenly harmonies and melodies. The production I watched was from 1993, with the Welsh singer Bryn Terfel in the role of Figaro and John Elliot Gardiner conducting the English baroque soloists . Imagine my surprise when near the denouement or unraveling of 2 hours of intrigue, deception, true love tested and attempted seduction, Figaro sings the following lines-

Fair Venus has gone in,
Her lover Mars will follow in,
Like a modern Vulcan,
I will catch them in my net.

It looks as if the Greek myth of Venus and Mars entangled by Vulcan's net was still in common stock in the eighteenth century, though credit where credit's due, it would have been the dramatist and librettist Beaumarchais who was familiar with the Greek myth, not Mozart. Beaumarchais wrote his scandalous play in 1784, the Mozart adaptation followed swiftly, its premiere was on May 1, 1786 . It was a great triumph for the composer, an instant hit and a box-office sell-out in Vienna. Cherubino's aria and maybe more from The Marriage of Figaro can be found on my Modern Dance and Ballet Videos page.

The Leopard

In Luchino Visconti's 1963 film 'The Leopard' Il Gattopardo, the star of the film is the Sicilian landscape, the whole film being a pageant of Sicilian culture. Burt Lancaster acts the lead as a Prince Salina, a Sicilian aristocrat. The highlight of the 178 minute film is a 45 minute ballroom sequence in which the world-weary Prince dances with the bride-to-be. Visually stunning in its photography, Visconti makes a political statement about the era in which the film is set, namely the Italian unification of 1870. 

Invisible Sun

'Life is a pure flame and we live by an invisible sun within us'.

Long before the singer Sting's 1981 hit song 'Invisible Sun', the image of an invisible sun can be found in Renaissance alchemical literature as well as Thomas Browne's Discourse Urn-Burial. The startlingly original image occurs in the apotheosis of  Browne's discourse of 1658 -

'But man is a Noble Animal, splendid in ashes, and pompous in the grave, solemnizing Nativities and Deaths with equal lustre, nor omitting Ceremonies of bravery, in the infamy of his nature. Life is a pure flame, and we live by an invisible Sun within us'.

But in fact the Belgian alchemist Gerhard Dorn (circa 1530-84) was the first to claim that within man there is an 'invisible sun', that is, a life-giving force, equivalent to an imago Dei, or image of God within man.

Dorn's astral imagery of an 'invisible sun' occurs in his Speculativa philosophia, which was reprinted in the door-stop sized tomes of the alchemical anthology known as the Theatrum Chemicum  (vol.1 1604) an edition of which was once in Browne's library, and from where in all probability he 'borrowed' Dorn's imagery. [1]

C.G. Jung in his Mysterium Coniunctionis (1955-56) frequently cites Gerhard Dorn, in fact he's the most frequently quoted alchemical author by him. 

In his Speculativa Philosophia Dorn declares-

'The sun is invisible in men, but visible in the world, yet both are of one and the same sun'.

Carl Jung comments on Dorn's image in his magnum opus known as Mysterium Coniunctionis (1955-56) 

'In Dorn's view there is in man an 'invisible sun', which he identifies with the Archeus. This sun is identical with the 'sun in the earth'. The invisible sun enkindles an elemental fire which consumes man's substance and reduces his body to the prima materia'. [2]

In any event the source of what is essentially an 'imago dei', (image of God) continues to attract interest, along with Browne himself, the physician-philosopher paradoxically to modern sensibilities being equally deeply-immersed in Hermeticism, alchemy and astrology as well as the 'new science' of the Baconian investigation into nature's properties.


Notes

[1] 1711 Sales Auction Catalogue page 25 no. 124
[2]  C.G. Jung Mysterium Coniunctionis Paragraph 49

Magnolia

This hopefully is what will be blossoming in my garden in a few days! Magnolia is only just in bud now. Checking the date this photo was taken to compare how early/late Spring is this year is revealing. This photo was taken 24th March 2006. I thought it feels like Spring is very late this year.