Kronos Quartet

The highlight of this year's  Norfolk and Norwich Arts Festival  for myself was the opportunity to  hear the world-famous string-players, the Kronos quartet. The music festival opened with an unique event, the sound of a solo saxophonist accompanied by no less than 200 amateur saxophone players, of all shapes and sizes, throughout the region. It was an extraordinary sound to hear in the city centre outside the  Forum, and no small feat to assemble the collective players upon a stage and then to  depart in  a caterpillar procession .

Memories of the Norfolk and Norwich Festival stretch far back to the days when it was known as the Triennial Festival and held  once every 3 years, during October. My very earliest memory is that of the composer Benjamin Britten dropping in upon a rehearsal of his 'Cantata Noyes Fludd to thank the singers for their efforts. In fact the NNFT is the oldest and longest -running of all British music Festivals. Other recent  highlights which immediately spring to mind include hearing an electrifying performance of Shostakovich's Ballet suite 'The Bolt' by the Russian State Symphony Orchestra, Mahler's 9th symphony performed by the London Symphony Orchestra, a Sea-side  choral oratorio  by Ray Davies of the Kinks, a recorder concerto by David Bedford, the viol consort of Fretwork playing a new work by John Tavener, and the legendary 'father of minimalism' Terry Riley perform, among many other happy musical memories of the Festival. Actually, it's the one guaranteed two weeks in the year a Norwich concert-goer can be guaranteed the opportunity to hear  world-artists perform.

The Kronos Quartet have been playing to audiences  for over thirty years now; their ability to casually change genre and style to demonstrate the flexible  texture and expressiveness of the string quartet is simply amazing. I first heard them playing on Philip Glass's experimental song-cycle 'Songs from Liquid Days' (86) and their sensitive accompanying Astor Piazolla upon the bandeleon in 'Five Tango Sensations', (91) is a firm favourite of mine, as is their playing on the Philip Glass soundtrack to the original 'Dracula'  film (2001). 

From American composers such as Glass, Reich and Riley, to Argentinian tango, Indian Raga and Bollywood to Gypsy folk music, the Kronos  have now released over forty  albums,  the programme at  the Theatre Royal Norwich was equally varied. They played a soft poignant piece by Laurie Anderson entitled 'Flow' and a powerful, pulsing, dramatic theme by Clint Mansell from the soundtrack to the Darren Aronfonsky film 'The Fountain'. It didn't exactly help that the Kronos had decided not to play the evening's programme in the sequence advertised, but this was more than made up for in rapport as frontman David Harrington cracked a subtle joke to the audience, (You have your favourite Icelandic composers, this piece is by ours). The Kronos are not shy of using amplification or tape-recording which more often than not enhances their harmony and unity, as was demonstrated in a new work by Steve Reich, WTC 9//11 which used voices recollecting the tragic event. 

The overwhelming sense I apprehended from hearing the Kronos quartet was that they seemed well aware of their legacy. They have distinguished themselves as reinvigorating and reviving the string quartet to a new world-wide audience. As collective musicians they've proved the traditional combination of instruments is infinitely capable of performing rock and pop as well as jazz or modern minimalism, and this comes across in the confidence, technical brilliance and the unity of their playing. No other string quartet  in modern times has achieved as much, and their performance at Norwich was a memorable one, not least for their generous three encores which included the ever-popular  'Flugufrelsarinn'  by Icelander, Sigur Ros.

King's Lynn

                 
Custom House and statue of George Vancouver

The historic Norfolk market-town of King's Lynn is well worth visiting. King’s Lynn Custom house  (above) was built in 1683 by Henry Bell  and modeled upon Dutch architecture which occupied the site previously. In fact, the influence of  the Dutch  permeates the cultural history of Norfolk. Evidence of the Dutch influence in trade, migration and immigration and even dialect can be found in the place names, family surnames and architecture of  Norfolk including King's Lynn. 

The architecture of King's Lynn's  historic quarter affords a generous insight into its  medieval past and hints of  voyages  of  trade, exploration and  pilgrimage made by its citizens. Situated forty miles due west from Norwich at the mouth of the River Ouse and  the Wash estuary,  sheltered  from the North Sea yet within easy sailing distance to the coast-line of  Scandinavia, North Germany,  Flanders and the Baltic, King's Lynn's  location meant that it became a busy and prosperous  sea-port during the Middle Ages.  Inland it's geographical position to the Midlands and Norfolk meant that it also exported large quantities of  British produce including wool and pottery.

Such was Lynn's sea-trading importance that it was once a member of the Hanseatic League. The Hanseatic League, a confederation of sea-ports radiating around the  Baltic Sea, traded in commodities such as  amber, resins, furs,  rye and wheat. Individual Hanseatic ports had their own representative merchant  warehouses.  There was a Hanseatic representative  in the English cities of Boston, Bristol, Hull, Ipswich, Norwich, Great Yarmouth and York. However, the only surviving example of a Hanseatic warehouse in England can be found standing close to the harbour at King's Lynn.

Nikolaus Pevsner, author of the authoritative guide to the architecture of England,  was  an admirer  of King's Lynn. Pevsner stated that the walk from the Tuesday Market Place to the River by the Customs House was one of the finest in the world. Near the market-place is the medieval Guildhall. Like Norwich's medieval Guildhall its facade has a chequer-pattern design, a symbolic reminder that it was once where revenues were collected, payments placed upon  a table of the same chequer pattern, like a Chess-board. In Britain, the Minister for finance is known as  the Chancellor of the Exchequer,  a  title which retains a  remnant of the  money-collecting tradition.

The church of Saint Margaret’s has some remarkable, ornately-carved pews known as misericords, (folding chairs which flip upwards as in cinemas). They were made for monks to support them standing during long church services and date from circa 1370.

Also in King’s Lynn there’s the  Red Mount, a  peculiar 15th century chapel   described by the architect  Nikolaus Pevsner as 'one of the most perfect buildings ever built' and 'unique'. In a flat landscape it was a prominent land-mark and  stop-over point for  religious pilgrims en route to the holy shrine of Walsingham.

King's Lynn's most famous pilgrim  of the Middle Ages was  Margery Kempe. The daughter of a Lynn mayor, Margery Kempe (c.1373 -1440) was a remarkable woman. In addition to bearing fourteen children when married, she  embarked upon pilgrimages throughout England and Europe to Aachen, Venice, Rome, Spain, Norway,  and even made pilgrimage to Jerusalem and the Holy Land in 1414. A dramatic enactment of Kempe's recorded visit to Julian of Norwich was recently realised by a UEA drama group in their re-construction of their medieval mystery play Mary's Step's.

Margery Kempe's religious mysticism  was portrayed as all accounts of her agree, with  emotional, volatile and fervent  piety, not untypical of much religious sentiment of the Middle Ages. Although she was unable to read or write Margery Kempe dictated her life's events to produce one of the earliest European autobiographies and an informative travelog of the age.

King’s Lynn was also  the birth-place of George Vancouver (1757- 1798). A statue of  the sea-port's  most famous citizen was erected nearby the Custom House. Vancouver was an officer in the British  Royal Navy who explored and charted North America's northwestern  Pacific  Coast, including the coast of Alaska, the Hawaiian Islands and  even the southwest coast of Australia.

It's also in King's Lynn ( in a museum adjacent to the Bus-Station ) that  an important  prehistoric artifact is now on display. It's the so-called 'Seahenge', a timber circle with an upturned tree root at its centre, which was first detected during an exception low-tide in 1998. It's estimated that Seahenge was constructed in the twenty-first century BCE,  over 4000 years ago during the early Bronze Age in Britain.  Like its more famous Stonehenge, the wooden circle of tree-trunks were most probably constructed for religious and  ritual purposes.

                             Seahenge at  Holme-next-the-sea, 1998.

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An artist's impression of how Seahenge may have looked 4000 years ago.

Hawthorn tree

The coldest winter for 50 years followed by the driest ever March and then the  warmest ever April are strong indicators that it's not  just the weather but the  very climate which is changing. I've lived  near to  a specimen of  Hawthorn tree for over 30 years and its the first time I've ever seen  one flower in April, invariably it flowers later in May.  

While cucumber and strawberry growers are reporting an early bumper crop, due to the warm weather, by far the most concerning weather feature at present is the fact that in the East of England it's not rained for almost 3 months. Without water life on Earth is unsustainable. The present-day weather extremes are ominous indicators of  climate change.

Lobster

'Lobsters in great number about Sheringham and Cromer from whence all the country is supplied.'

 Sir Thomas Browne was a  significant  natural historian so it's not too surprising that The Project Gutenberg EBook has recently  reproduced his  'Notes and Letters on the Natural History of Norfolk'.

 First published in 1902 by Jarrolds of London, Browne's 'Notes and Letters upon the Natural History of Norfolk more especially on the birds and fishes', is a valuable document  inasmuch as it provides evidence not only of Browne's  keen-sighted observations  and  his willingness to assist  the ornithologist Christopher Merritt, but also to the abundance and decline throughout the intervening centuries of particular species in Norfolk. However, those expecting to read highly-stylized 'vast undulations of sound' as exemplified in  the poetic Discourses of 1658 will be sorely disappointed, for it is Browne at his most scientific  note-book prose encountered in his natural history notes.

The county of Norfolk is described by Browne as having a 'great number of rivers, rivulets & plashes of water', elsewhere in his notes he writes of its 'broad waters' which may well be from where the term 'Norfolk Broads' originates. I've written before upon Browne as an ornithologist here's the link.

Thomas Southwell in the 1902  introduction to Browne's notes, 'emphasises the originality which pervades all  Browne's observations, a characteristic so conspicuously absent in the work of most of his predecessors'.

Southwell also laments-

'It may be truly said of Sir Thomas Browne that a prophet hath no honour in his own country; the writings of this remarkable man are little known in the city of his adoption, and a recent movement to erect a monument to his memory has hitherto met with feeble support'.

Although a statue of Browne was in fact erected in his honour upon the tercentenary of his birth  in 1905 by the citizens of Norwich,  it remains true a full century later that, 'the writings of this remarkable man are little known in the city of his adoption'.

Willows on the Wensum

Now spring has finally arrived there are some very  green and scenic views near to home. The ancient and senile river Wensum winds slowly through Norfolk entering Norwich just a mile or two from my door-step.