After one of the driest Springs recorded, the drought in five English counties, all in the east of England has now been made official. I would suggest however that this current drought, and the severe shortage of rain which farmers and food-growers are experiencing, goes much deeper. There's a serious and wide-spread drought and thirst throughout many regions of the world for a fairer distribution of wealth and resources, moral integrity, compassion, leadership and spiritual vision. These droughts can't begin to be remedied until humanity acknowledges, as drought along with volcanic eruption, earthquake, hurricane, flood, famine and war, painfully reminds those suffering, that humanity isn't as much in control of its destiny as it imagines, and the words of the Prince of Peace are heeded-
Friday, June 10, 2011
Thursday, June 09, 2011
Sparks
I've been intending to post on Sparks for some time when I stumbled upon a discussion between two American ladies who were wondering where on earth the 1970's pop-music duo had disappeared to. That shared query was impetus and motivation enough to merrily tap away at the keyboard today.
The brothers Ron Mael (b.1945) and Russell Mael (b.1948) are long-time residents of Los Angeles, California USA. They released their 22nd album in 2009, the experimental operetta, The Seduction of Ingmar Bergman. In 2010 they achieved the unique act of performing in chronological sequence one of their 20 albums every night for 20 nights at the Islington Academy and Shepherd's Bush Empire, London. They may have performed their last ever live gig in America on December 1, 2010 at the Hollywood Palladium in Los Angeles. Although there's been occasional years of hiatus between album releases, Sparks have effectively been in the music business for over 40 years .
Ron and Russell Mael first cut their teeth and found fame during the early 1970's when resident in England. Their big hit in England was This town ain't big enough for the both of us (1974). The hit introduced the world to Russell's hall-mark falsetto voice and quirky lyrics and Ron's dead-pan yet scary, facial posturing.With the poetic, teen-age sensibility of a Holden Caulfield (of The Catcher in the Rye), Russell has retained a unique and beautiful voice. His more reserved elder brother Russell, a 1920's Igor Stravinsky look-a-like, has developed a powerful rhythmic drive and unique melodic line on keyboards to accompany his brother. Incidentally its mostly older brother Ron who writes their music, while Russell supplies and sings the quirky lyrics.
Doggedly ignoring all musical trends, styles, fashions and crazes, Ron and Russell Mael have carved their own idiosyncratic style, a kind of 70's techno-vaudeville, suitable to accompany a Buster Keaton adventure comedy, a true hybrid of American and British pop. According to Wikipedia Sparks have created their own unique musical universe; that's debatable but the brothers Mael have been enjoying a Renaissance in the first decade of the 21 st century. Indeed the 21st century has seen a distinct new creative drive by Sparks and growing critical acclaim with each new album release Their last few albums have built upon the style and success of each previous release. The realm of light opera in often comic has been a fertile arena for their creativity. Abandoning their Giorgio Moroder techo-style of the 80's and 90's, ever since the arrival of L'il Beethoven in 2002 their new operatic style has gathered new fans world-wide. There's no opportunity to demonstrate their music here other than to enthuse over it, but their lyrics are worth quoting for his often acerbic and off-the-wall word-play, witticisms and social observations . Their humour is up there with the odd-ball wit of the Marx brothers -
How do I get to Carnegie Hall ? Practice man, practice.
Ron and Russell Mael first cut their teeth and found fame during the early 1970's when resident in England. Their big hit in England was This town ain't big enough for the both of us (1974). The hit introduced the world to Russell's hall-mark falsetto voice and quirky lyrics and Ron's dead-pan yet scary, facial posturing.With the poetic, teen-age sensibility of a Holden Caulfield (of The Catcher in the Rye), Russell has retained a unique and beautiful voice. His more reserved elder brother Russell, a 1920's Igor Stravinsky look-a-like, has developed a powerful rhythmic drive and unique melodic line on keyboards to accompany his brother. Incidentally its mostly older brother Ron who writes their music, while Russell supplies and sings the quirky lyrics.
Doggedly ignoring all musical trends, styles, fashions and crazes, Ron and Russell Mael have carved their own idiosyncratic style, a kind of 70's techno-vaudeville, suitable to accompany a Buster Keaton adventure comedy, a true hybrid of American and British pop. According to Wikipedia Sparks have created their own unique musical universe; that's debatable but the brothers Mael have been enjoying a Renaissance in the first decade of the 21 st century. Indeed the 21st century has seen a distinct new creative drive by Sparks and growing critical acclaim with each new album release Their last few albums have built upon the style and success of each previous release. The realm of light opera in often comic has been a fertile arena for their creativity. Abandoning their Giorgio Moroder techo-style of the 80's and 90's, ever since the arrival of L'il Beethoven in 2002 their new operatic style has gathered new fans world-wide. There's no opportunity to demonstrate their music here other than to enthuse over it, but their lyrics are worth quoting for his often acerbic and off-the-wall word-play, witticisms and social observations . Their humour is up there with the odd-ball wit of the Marx brothers -
How do I get to Carnegie Hall ? Practice man, practice.
Sparks' distinctive humorous album art-work includes one cover depicting a recent after-math, a light plane crash landed in a back-yard; in another the brothers are seen hands bound in an out-of-control motor-boat, in yet another, Russell lays prone having hit the deck in a boxing-ring. in the other corner Ron, wearing boxing gloves, raises his arms in triumph. The brothers like to express their decades long working relationship in their art-work.Other long-term sibling or male duo artists which immediately spring to mind include the British artists Gilbert and George and the film-makers the Brothers Quay, directors of the wonderful Piano Tuner of Earthquakes.
If you grew up during the golden decade of 1970's pop music, when the world was a slightly more innocent place, or simply enjoy hearing great 70's style pop music, then Sparks music often frantic and intense yet funny, rhythmically inclined with gorgeous harmonies especially the last four or five albums this century, are well worth hearing. Young listeners may also enjoy. Lovingly and painstakingly recorded in sophisticated layered production, well worth hearing ! Pass me my Space-hopper ! What is there left for the American Grandmasters of Pop, Ron and Russell to achieve with 21 albums to their credit ? However they do like to defy and surprise expectations !
Exotic Creatures of the Deep (2008)
* Strange Animal - "What a strange animal we are".
Anyone who seriously contemplates the species arrives at this conclusion quite swiftly.
* (She got me) Pregnant - So how would a fragile male ego cope with finding after a one-night stand that they were pregnant ?
"And then you learn that though she is several thousand miles away/ there is a part of you she's given you and now you have to deal with it."
* Lighten up Morrisey - Sound advice to some sometime famous Brit. pop star who the Mael brothers admire.
* Lighten up Morrisey - Sound advice to some sometime famous Brit. pop star who the Mael brothers admire.
"She won't go out with me 'cos my intellect's paper-thin/ She won't have sex with me unless it's done with a pseudonym".
* This is the Renaissance - "If you like to read, man you are in luck/ Gutenberg is cranking up a Bible with a centre-fold...Science is here , nothing left to fear"
* Photoshop - There's some very dramatic multi-track vocals going on here
"Baldness or aloofness removed without a trace. Photoshop me out of your life".
* I can't believe that you would fall for all the crap in this song.
More lampooning of the music industry.
Hello Young Lovers (2006)
* Perfume -Russell names and sings the names of dozens of perfume brands.
* (Baby, Baby) Can I invade your Country - A bold statement on Foreign policy.
* Metaphor - a track with superb multi-track harmonies by Russell.
"Chicks dig D -I -G metaphors, use them wisely, use them well and you'll never know the hell of loneliness".
* As I sit down to play the organ at Notre-Dame Cathedral - A track which allows Ron to show-case his keyboard virtuosity, he must be playing at least five keyboards here.
" I got Faith, I got a deep abiding Faith, that in this Sea of faces, this sea of believing faces, there's always one face that's here to escape the rain".
On June 25, 2011 as part of the Los Angeles Film Festival, Sparks will present the World Premiere live performance of The Seduction of Ingmar Bergman.
Wikilink
Sunday, June 05, 2011
Bee
He that would exactly discern the shop of a Bees mouth, need observing eyes, and good augmenting glasses; wherein is discoverable one of the neatest pieces in nature, and must have a more piercing eye then mine;
-Garden of Cyrus chap. 3
There's a wealth of literature and religious symbolism inspired by the bee. The furry, flying insect is held in great esteem throughout the world despite its sting. Unlike the ant which invariably is likened to the robotic world of automata, the bee has always been viewed as a hard-working insect capable of altruism and self-sacrifice for the greater collective good of the hive. Often used as a symbol of moral worth and integrity, the busy bee appeals greatly to the work-ethic of Protestantism.
The ancient Egyptians described Pharaoh as He of the Sedge and Bee and used honey as an effective contraceptive. In the Old Testament the story of Samson and the supernatural 'power' of honey can be found. (Judges 14:v.8). The Hebrew word for bee, dbure has the same root as dbr meaning 'word'.
In Classical antiquity bees were often depicted upon tombs as symbols of Resurrection; because the three month winter season when bees seemed to vanish was compared to the three days after the Crucifixion, only to reappear in Spring as if resurrected. In fact until the modern Industrial age, honey was not only greatly valued as the only available source of sweetness but is also the one and only food-stuff which can never 'go off' and is incorruptible.
Bees have also symbolized eloquence, poetry and the mind. The Roman poet Virgil attributed the spark of divine intelligence to them. His fourth book of Georgics contains advice upon how to keep bees. Virgil's poem, over 500 lines long was for centuries one of the best-known works of apiculture and how best care for bees.
They alone hold children in common: own the roofs
of their city as one: and pass their life under the might of the law.
They alone know a country, and a settled home,
and in summer, remembering the winter to come,
undergo labour, storing their gains for all.
For some supervise the gathering of food, and work
in the fields to an agreed rule: some, walled in their homes,
For some supervise the gathering of food, and work
in the fields to an agreed rule: some, walled in their homes,
lay the first foundations of the comb, with drops of gum
taken from narcissi, and sticky glue from tree-bark,
then hang the clinging wax: others lead the mature young,
their nation’s hope, others pack purest honey together,
and swell the cells with liquid nectar:
there are those whose lot is to guard the gates,
there are those whose lot is to guard the gates,
and in turn they watch out for rain and clouds in the sky,
or accept the incoming loads, or, forming ranks,
they keep the idle crowd of drones away from the hive.
Bk 4 lines 153-169
Because the bee-hive has a radically different social organization to humankind's, bees and the hive have often been used as analogies to human society. Writers such as Shakespeare, Erasmus, Marx and Tolstoy each used the hive to describe human social organization. In his The Fable of the Bees (1714) the political thinker Bernard Mandeville argued that any distribution of wealth, even by theft, fraud and prostitution keeps the wheels of capital rolling and is thus legitimate. However his views were strongly condemned by contemporaries as immoral.
Of all the varied literature relating to the bee that of the Belgian author and Nobel-prize winner, Maurice Maeterlinck's Life of the Bee (1901) is perhaps the most mystical. In Maeterlinck's work, contemplation of the bee's life-cycle and the hive rises to hymn-like heights of rapture. More recently the Swedish author Lars Gustafsson's novel The Death of a Beekeeper (1991) is a first person meditation by a Beekeeper suffering from advanced Cancer upon the imminent approach of death.
Returning to bee-keeping itself, 'even though as early as the 1530s it was well known that the male drones were sometimes obstacles to honey production, most writers on bees for the purposes of their labor/religious/political metaphors kept the King a King. However it was known that the queen bee was a female at least since the C17th century. Charles Butler's Feminine Monarchie popularized the notion, and was also the first work to stray from the usual methods towards bees and beekeeping of repeating ancient sources on the subject, and offer something like practical, even scientific treatment. Butler even scores the buzzing of the bees to music'.[1]
Returning to bee-keeping itself, 'even though as early as the 1530s it was well known that the male drones were sometimes obstacles to honey production, most writers on bees for the purposes of their labor/religious/political metaphors kept the King a King. However it was known that the queen bee was a female at least since the C17th century. Charles Butler's Feminine Monarchie popularized the notion, and was also the first work to stray from the usual methods towards bees and beekeeping of repeating ancient sources on the subject, and offer something like practical, even scientific treatment. Butler even scores the buzzing of the bees to music'.[1]
The buzzing sound of the bee, in effect its song, has fascinated musicians and composers. The bee is celebrated in Rimsky-Korsakov's The Flight of the Bumblebee, an interlude from his opera The Tale of Tsar Sultan. Its salutary to realise that although Rimsky-Korsakov wrote many operas often of several hours length, his miniature tone-poem of seventy seconds is the work for which he is best remembered. More recently the British composer Michael Nyman wrote a short concerto for Saxophone and orchestra entitled Where the Bee dances in which the melodic line played by the Saxophone imitates the joyous, zig-zagging flight of the bee.
Thomas Browne's Religio Medici includes a poem of highly original apian imagery; the poet imagining himself a bee.
And then at last, when homeward I shall drive
Rich with the spoils of nature to my hive,
There will I sit, like that industrious fly,
Buzzing thy praises, which shall never die
Till death abrupts them, and succeeding glory
Bid me go on in a more lasting story.
- R.M. Part 1:13
In fact mention of bees occurs in each of Browne's major works. Abandoning poetry, his Pseudodoxia Epidemica includes a lengthy digression upon why the bee produces a buzzing sound (Bk.3. chap.27). Browne, rather bravely writes of placing a finger upon a bee in order to determine its buzz. Elsewhere in his writing's there's a curious record, purely in the cause of scientific investigation, of Browne actually eating spiders and bees to determine their culinary and dietary effects, while in Urn-Burial he notes bee's funeral rites, ejecting its dead out of the hive.
Because scientific enquiry was invariably patriarchal in its thinking, it was assumed that the Hive was ruled by a male; not until the nineteenth century was it finally accepted that a female Queen, not a male King rules the hive. The construction of the hive has been a source of wonderment to many, not least to Sir T.B. who in The Garden of Cyrus waxes lyrical upon its architecture thus-
The sexangular Cels in the Honeycombs of Bees, are disposeth after this order, much there is not of wonder in the confused Houses of Pismires, though much in their busy life and actions, more in the edificial Palaces of Bees and Monarchical spirits; who make their combs six-cornered, declining a circle, whereof many stand not close together, and completely fill the area of the place; But rather affecting a six-sided figure, whereby every cell affords a common side unto six more, and also a fit receptacle for the Bee it self, which gathering into a Cylindrical Figure, aptly enters its sexangular house, more nearly approaching a circular Figure, then either doth the Square or Triangle. And the Combs themselves so regularly contrived, that their mutual intersections make three Lozenges at the bottom of every Cell; which severally regarded make three Rows of neat Rhomboidal Figures, connected at the angles, and so continue three several chains throughout the whole comb.
The bee is an insect now included in the ever-growing inventory of endangered species upon planet Earth. It's recent decline is a matter of great concern. Without bee's ability to pollinate, crops would not grow. In fact humanity's fate is dependent upon the bee. The Varroa mite along with the phenomena known as 'Hive collapse disorder' in which swarms simply vanish, has decimated whole colonies. In recent decades pesticides, along with motor-car exhaust fumes and mobile phone signals have also been blamed for the bee's decline . In fact the plight of the modern-day bee wherever industrial-sized fruit-crop growing occurs, has been likened to many working hives being over-crowded upon a budget air-line for a long over-night flight, only to be awakened upon arrival without any acclimatization, to a long day's labour immediately upon landing. Needless to say such treatment is motivated purely by economic factors.
The above photo is one of my best snaps. I particularly like how the bee's furriness and transparency of its wings is captured.
[1] Info contribution by Brooke
Wiki-links
Bee
Fable of the Bees
Virgil's Georgics IV
Flight of the Bumblebee
Friday, May 27, 2011
Cromer
Because it has a rail connection to Norwich Cromer is probably the coastal resort I've frequented most. It's been a while since I visited the 'Gem of the Norfolk Coast', which is situated some twenty-odd miles north of Norwich. A barmy summer of crab sandwiches, swimming and putting on the green, now long gone.
Cromer is also the place where over many years I've read innumerable books while on the beach. These days I have a small tent with me in readiness for the vastly differing weather conditions between hinterland and coast.
Cromer is also the place where over many years I've read innumerable books while on the beach. These days I have a small tent with me in readiness for the vastly differing weather conditions between hinterland and coast.
I'd almost forgotten how relaxing it is to turn the pages accompanied by the sound of surf and waves breaking. As ever there was an fairly stiff off-shore wind from an icy North sea, but the quality of light, bracing air and immensity of space, easily compensated. Geographically, the Norfolk coast is famous for being a place where facing due north there is no land between oneself and the frozen ice of the Arctic. A little too early in the year for a swim in the sea.
At low-tide one begins to sense the prehistory of the coast-line. In fact much of the beach was once part of a prehistoric forest bed which was formed between 780,000 to 450,000 years ago. Known as the geological era of the Cromerian Stage, during the last ice-age or Pleistocene, the Cromerian Interglacial is the benchmark that all European countries use when studying their own geological deposits.
The fossilized skeleton of a steppe mammoth (Mammuthus trogontherii) an elephant some 600,00 years old was discovered not far from Cromer, at West Runton in 1990.
Further along the coast is the site of Seahenge, an early man ceremonial ritual site marked by a circle of wood beams with an upturned tree-root at its centre dated circa 2100 BCE (scroll down to earlier May post for pics of Seahenge).
The fossilized skeleton of a steppe mammoth (Mammuthus trogontherii) an elephant some 600,00 years old was discovered not far from Cromer, at West Runton in 1990.
Further along the coast is the site of Seahenge, an early man ceremonial ritual site marked by a circle of wood beams with an upturned tree-root at its centre dated circa 2100 BCE (scroll down to earlier May post for pics of Seahenge).
It's very pleasant on a summer's evening to sit on Cromer Pier with a drink and watch the sun sink into the sea.
Cromer by James Stark (1794-1859) 'Norwich School'
Wiki-links
West Runton Elephant
Cromerian Stage
Seahenge
Norwich School
Polygraphiae
The story goes that the young Trithemius studied at the University of Heidelberg where he became acquainted with the magical arts. Taking shelter from a snowstorm at the Benedictine monastery of Spondheim he became a monk, then the Abbot of Spondheim in the following year. In this position he re-installed discipline, repaired and restored the monastery and established one of Europe’s great libraries with over 2,000 manuscripts, including many works on science and philosophy.
Typical of the fate of many Renaissance Hermetic philosophers, Trithemius was often accused of sorcery and wizardry. The Emperor Maximilian I summoned him in 1503 in order to interrogate him on matters of faith, but Trithemius insisted he was a Christian and Humanist. In addition to being an Abbot of a Christian monastery, Trithemius was also a lexicographer, historian, cryptographer, and polymath as well as occultist. His fame as an occultist originates primarily from the infamy of his Steganographia which instructs how to conjure and talk to angels. Trithemius was the teacher of Cornelius von Agrippa and Paracelsus, while the English Hermetic philosopher John Dee was also influenced by him .
In her scholarly work 'The Occult philosophy of the Elizabethan Age' (1979) Dame Frances Yates noted-
In his less controversial work Polygraphiae Trithemius elaborates at length and in detail upon different forms of secret writing, formulas for making codes and methods of encryption and decryption. Modern-day computer security also relies upon sophisticated codes and programmes of encryption and code in order to function without interference or fraud.
With his love of languages along with his interest in the secret, hidden and undiscerned, it’s little surprise that Sir Thomas Browne not only possessed a copy of Polygraphiae pub. Cologne 1571 (S.C. page 30 no. 17) by Trithemius, but is also credited with coining the word ‘cryptography’ into the English language. The first recorded usage of the word according to the OED occurs in ‘The Garden of Cyrus' in which Browne alludes to -
‘the strange Cryptography of Gaffarell in his Starrie Booke of Heaven'.
See also blog entry - Cryptography and Gaffarel's astrology
Wikipedia entry - Library of Sir Thomas Browne - a short introduction and selection of book-titles.
In her scholarly work 'The Occult philosophy of the Elizabethan Age' (1979) Dame Frances Yates noted-
In 1509-10, Agrippa was in Germany, visiting the learned abbot Trithemius, and it was about this time that he wrote the first version of the De occulta philosophia. The manuscript of this version exists. It is dedicated to Trithemius, who was undoubtedly an important influence on Agrippa's studies.
In his less controversial work Polygraphiae Trithemius elaborates at length and in detail upon different forms of secret writing, formulas for making codes and methods of encryption and decryption. Modern-day computer security also relies upon sophisticated codes and programmes of encryption and code in order to function without interference or fraud.
With his love of languages along with his interest in the secret, hidden and undiscerned, it’s little surprise that Sir Thomas Browne not only possessed a copy of Polygraphiae pub. Cologne 1571 (S.C. page 30 no. 17) by Trithemius, but is also credited with coining the word ‘cryptography’ into the English language. The first recorded usage of the word according to the OED occurs in ‘The Garden of Cyrus' in which Browne alludes to -
‘the strange Cryptography of Gaffarell in his Starrie Booke of Heaven'.
See also blog entry - Cryptography and Gaffarel's astrology
Wikipedia entry - Library of Sir Thomas Browne - a short introduction and selection of book-titles.
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